How do you make the immense complexity of 8 professorships and 40 lecturers visually tangible? For the new first-year curriculum (“Basisjahr”) at ETH Zurich’s Department of Architecture (D-ARCH), I developed a fluid identity that bridges the gap between academic rigor and creative experimentation—from a radical abstraction of the logo to a modular framework for daily application.

Lehmworkshop Brunnen. Studio Boltshauser, 2022

Lehmworkshop Brunnen. Studio Boltshauser, 2022

Summerschool Brunnen. Studio Boltshauser 2019, Fotografie: Philip Heckhausen

Summerschool Brunnen. Studio Boltshauser 2019, Fotografie: Philip Heckhausen

The Context:
A Search for a New Architectural Culture

Under the direction of Roger Boltshauser , a pioneering model for the first year of study was established. It marks a radical new beginning, posing fundamental questions to the discipline:

»What is architecture today? What kind of architectural culture do we need to understand, rethink, and sustainably design our built and unbuilt environment?”«

Quoted from the Studio Foundations Fall 2025 Semester Reader

Seminarreise Ukraineworkshop. Studio Boltshauser und Swiss Network Ukraine, FS24

Seminarreise Ukraineworkshop. Studio Boltshauser und Swiss Network Ukraine, FS24

The Design Challenge:
Clarity within Multi-Layered Structures

«Studio Foundations« is an interdisciplinary powerhouse. The objective: to find a visual “bracket” that provides order (clarity, transparency) without stifling the individual creativity of the 10 distinct design studios. Design is treated as a thinking tool—an iterative process of exploring space, function, material, and context.

»Design is a tool for thinking—a method to shape, test, and evolve ideas; a continuous process of exploring, questioning, transforming, and discarding. The path is rarely linear; instead, it is an iterative exploration of space, function, material, and context along a still-undefined idea—often more of a notion, a feeling, or an atmosphere than a concrete goal. In this process, mistakes are not only unavoidable but necessary to discover the new and to minimize arbitrariness.«

Excerpt from the Studio Foundations HS 2025 Semester Reader.

Raum und Zeit zum Denken

Studio Foundations Bild Sujet schichten

The Concept:
Radical Reduction Meets Serial Imagery

Rooted in the typeface ES Klarheit Grotesk, the logo uses the preceding dot not as a punctuation mark, but as a signal of relevance that—inspired by Paul Klee—’takes a walk’ through analog and digital media. Over 30 individual motifs accompany the students through their semesters as manually crafted, digitally refined originals, where design functions as a pedagogical tool rather than an end in itself.

Studiofoundations_CD-Manual_Logotype.webp
Studio Foundations CD-Manual Logotype

Studio Foundations Logo

The logotype, set in ES Klarheit Grotesk Extrabold, reflects the program’s curricular ambitions starting with its very name (Klarheit meaning ‘Clarity’). A distinctive, tapering ‘t’ provides the typographic accent, while the preceding dot dissolves traditional punctuation in favor of a radical, abstract signifier. Borrowing from Paul Klee, this dot functions as a mobile signal—an autonomous companion ‘taking a walk’ through analog and digital media.
In application, the system develops a geometric momentum of its own: interacting with the subsequent ‘i,’ the dot merges into a line, transforming these basic elements into the number 10. Within animations and the school’s internal grading app, this visual metamorphosis becomes the central, living element of the identity, intuitively structuring academic assessment processes.

Poster Studio Foundastions

Visual Concept: Visual Impulses as Pedagogical Tools
The graphics function as an active catalyst: over 30 motifs are precisely aligned with the ten core themes of the curriculum. They evolve in tandem with the syllabus—from the abstraction of primal structures (1st semester) to interventions marked by human traces in the environment (2nd semester).
This process translates manual practice into a digitally scalable system. The result is a flexible framework that consistently renders the entire spectrum of academic communication—from semester readers and debate posters to the digital presence.

Studio Foundations FS26 Textsammlung Cover

Studio Foundations FS26 Textsammlung

Studio Foundation SemesterFS 2026

Design Governance:
A Scalable Ecosystem for 8 / 40 / 400 Stakeholders

A corporate identity is only as effective as its operational resilience. I developed a modular system that upholds the strategic requirements of 8 professorships, is independently curated by 40 lecturers, and is utilized by 400 students as a functional tool for their daily work.
My role encompasses the strategic conception as well as ongoing art direction and quality control:
  • Mathematical Logic: All hierarchies are derived consistently from the smallest building block (the body text).
  • Tool-Kit: Comprehensive templates for social media, print, and digital applications ensure consistency while allowing for maximum academic freedom.


App Integration: Interface as a Coordination Tool
To manage the massive output and complex workflows, I played a key role in the graphic development of the studio’s proprietary web app. It coordinates scheduling, organization, and the entire review process. Here, graphic design becomes an intuitive User Interface (UI) that does not merely represent academic processes but actively structures and clarifies them.

Studio Foundations Web App Tool

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